Should we write only what we know? Play it safe and approach matters that we have lived through. Or should we take a wild chance, put everything on some fierce card, anything to blast our way out of the safe and comfy shell of ours. Out of our comfort zone. And what does that mean? Might it bring something deeper with it? Something which will bubble up from our subconscious, our heart(?), and attempt to enlighten our essence? To expand our inner cosmos?

Last time, I concluded at how important it is to arrive at a deeper emotional connection between us, the writers, and the characters in our stories. The true stuff of life, our hard earned emotional experience which has burnt its way into our subconscious, and made us into who we are. This time around I would like to go deeper into my own experience of enquiry about the main character of my novel. A protoganist which was as far away from my own personality as I could possibly imagine. Or so I thought initially. But more importantly I would like to break down my process of enquiry into some more manageable steps and conclusions. So others might hopefully take away something of value from this.

Should we write only what we know? Play it safe and approach matters that we have lived through. Or should we take a wild chance, put everything on some fierce card, anything to blast our way out of the safe and comfy shell of ours. Out of our comfort zone. And what does that mean? Might it bring something deeper with it? Something which will bubble up from our subconscious, our heart(?), and attempt to enlighten our essence? To expand our inner cosmos?

Last time, I concluded at how important it is to arrive at a deeper emotional connection between us, the writers, and the characters in our stories. The true stuff of life, our hard earned emotional experience which has burnt its way into our subconscious, and made us into who we are. This time around I would like to go deeper into my own experience of enquiry about the main character of my novel. A protoganist which was as far away from my own personality as I could possibly imagine. Or so I thought initially. But more importantly I would like to break down my process of enquiry into some more manageable steps and conclusions. So others might hopefully take away something of value from this.

Should we write only what we know? Play it safe and approach matters that we have lived through. Or should we take a wild chance, put everything on some fierce card, anything to blast our way out of the safe and comfy shell of ours. Out of our comfort zone. And what does that mean? Might it bring something deeper with it? Something which will bubble up from our subconscious, our heart(?), and attempt to enlighten our essence? To expand our inner cosmos?

Last time, I concluded at how important it is to arrive at a deeper emotional connection between us, the writers, and the characters in our stories. The true stuff of life, our hard earned emotional experience which has burnt its way into our subconscious, and made us into who we are. This time around I would like to go deeper into my own experience of enquiry about the main character of my novel. A protoganist which was as far away from my own personality as I could possibly imagine. Or so I thought initially. But more importantly I would like to break down my process of enquiry into some more manageable steps and conclusions. So others might hopefully take away something of value from this.